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AR Rahman The Journey Home World Tour

Posted by Ramya Shankar on Monday, June 14, 2010 in , ,

Major spoilers ahead, please don't read further if you plan to watch the concert in any of the other cities. The author refuses to take blame for spoiling the fun, she merely tried to share the excitement with fellow Rahmaniacs who couldn't be there. Thank you!

ARTISTS:
Vocals: AR Rahman, Hariharan, Benny Dayal, Vijay Prakash, Blaaze, Alphons Joseph, Neeti Muhan, Shweta Pandit, Harshdeep Kaur, Zeenia Roy, Krystal Garib.
Supported by: Takuyo Hirano (Percussions), Keith Peters (Bass), Sanjeev Thomas (Guitar), Naveen (Flute), Aditya Kalyanpur (Tabla).

TrackList:
Enter Malachi from the audience, searching for someone. He runs around for a while and jumps onto the stage and boom - the door as shown on the projector opens.

1) O Saya (Slumdog Millionaire): A man looking like ARR is running as the projector shows pictures of ARR and his milestones. Train like feel, you see! Everyone thinks Rahman is running. He's air lifted and the boss enters singing. Howl !!!

2) Adhiradi (Sivaji): ARR is wearing a black coat with LED lights on them. Looked really funky. Only one charanam was performed and surprisingly he didn't forget the lyrics.

3) Say naa naa (Couples Retreat): Enter Benny & Blaaze with Krystal Garib. Benny was wearing a really funky long kurta with feathers and doing some really enthusiastic hopping/skipping. While most Indians blinked, the few Americans enjoyed it.

4) Some bloody brilliant jamming by Sanjeev Thomas (dressed in a red panjakacham with a black shirt complete with Nike sports shoes!) and an American on the banjo. Very very spunky!

5) Yeh jo des hai tera (Swades): There was a patriotic undertone to the entire concert, and it all began with this. It ended with Naveen's first solo of the day. Soulful !

6) Takuyo Hirano is definitely talented. This was his turn for a solo drum act with some foot-tapping bhangra beats, but he failed to engage the audience like Sivamani does. The act transitions into the Rang De Basanti title track performed by Benny, Harshdeep Kaur and Neeti Muhan.

7) Dreams on Fire (Slumdog Millionaire): Again just one charanam performed by Kristal Garib. She seems like an ABCD, but held the act together very well.

8) Nazrein milana (Jaane tu ya jaane na): Performed by Benny Dayal, Sanjeev Thomas (yes, the cool guitarist sang too!) and Shweta. Benny & Shweta had an amazing chemistry and some really good moves too!

9) Barso re (Guru): Neeti muhan & Kristal Garib with Naveen, an Asian Violinist and the tabla guy jamming to end it with the na rey na rey bit.

10) Dil se rey (Dil se): ARR messed up the lyrics for this one. Infact, he sang the same charanam twice. I'm not complaining, I had gooseflesh when he hit the high pitch in the end. I did miss Raihanah & Tanvi in the backup vocals. I thought the crowd was relatively less noisy for this one.

11) Bombay Theme: Naveen on flute and the Asian string player on Cello with Malachi doing some break moves, while another Asian woman contorted her body into weird positions!

12) Mausam and Escape (Slumdog Millionaire): Sanjeev Thomas let his hair and his strings run loose for this one. Oh-My-God-can-a-guitar-sound-like-that-too material! And when people around me exclaimed : "Who is that?" I was only too proud to announce: "Sanjeev Thomas - ARR's lead guitarist !" He just redefines cool!

13) Bharat Humko / Tamizha Tamizha (Bombay): Hariharan finally enters with his wisdom and wearing an atrociously hideous garb that looked like it had been made by tearing the Indian flag apart. Nevertheless as always, he held the entire song together while the other singers struggled to keep pace with Hariji's alaaps. We all know who's the boss !

14) Theeyil Vizhunda theana (Varalaaru) opening humming transition to Lukka Chuppi (Rang De Basanti): Lata Mangeshkar singing the entire song was used a projection alongside Rahman. It looked absolutely ethereal and I am sure every soul wanted to run back home to their mothers when this came on!"Yahan sab kuch hai maa, phir bhi, lagey bin tere mujhko akela!"

15) Aazadi (Bose): Orange, White and Green lights flood the auditorium. ARR on his highest note. Patriotism strikes. Freedom. Goosebumps. Shudder. Spine chills as he hits Aazadi.

16) Liquid Dance (Slumdog Millionaire): The track is played instead and dancers do crazy acrobatics that knots your stomach!

17) Pappu can't dance (Jaane tu ya jaane na): ARR wears some funky headphones and Benny, Blaaze, Neeti & Shweta set the stage on fire ! Short-lived.

18) Tribute to Michael Jackson: ARR sings Black or White that sounds strangely like MJ himself(gooseflesh!) and Malachi does some more break dance and moonwalking dressed up like MJ.

19) ARR on Piano and says : "Let's have some smooth blues" : He plays a mix of Hosanna & Mannippaya which you don't want to end but does so in a couple of seconds and transitions to Hello Mr. Ethirkatchi (Iruvar) performed by Neeti Muhan. She kadichu thuppifies (massacres) the words, but has a creative style of her own version of the song. The last briha bits are very jazzy and sound nothing like Harini's original. It was a very genre-oriented take on the song.

20) ARR walks on to the ramp and begins crooning Marhabaaaaa(Oorvasi) which is forcibly mixed with Taxi taxi being taken over by Blaaze & Benny. I have to admit, Benny is quite the performer ! He flirted with every female dancer who danced past him ! :P

21) Hai Rama (Rangeela): Hariharan & Shweta Pandit - OMG!! Hariharan flatters everybody with his vocal abilities and Shweta Pandit stays on par with him! She picks up notes with such ease and has so much versatility ! She makes an excellent replacement for Chinmayi.

22) Only you: ARR. Unplugged Solo. Should I say more. Period.

23) Medley of Hindustani styles: A tribute to Bade Ghulam Ali Khan Saab: Hariharan, Vijay Prakash, Shweta Pandit and Zeenia Roy sit around ARR while he's on the harmonium. Hariji begins with Bhor Bhaye, snaps into a thumri. Now, Vijay Prakash begins singing Ennavale in Telugu gets the loudest cheer of the day - gets flattered - blushes and sings with full feelings! *heart skips a beat, I fall in love with him at first note. Hariji gets a little jealous and starts Kandukonden kandukonden which he takes to Anbe anbe kolladhe. Zeenia Roy failed miserably to catch up with the tempo despite ARR giving her the cue for Dheeme Dheeme gaoon(Zubeidaa). Shweta Pandit got the crowd out of their seats with her Genda Phool. The crowd went wild when Rahman sang Rehna Tu and even louder when Vijay Prakash ended it with Hosanna. By the end of this performance, I was already head over heels in love with Vijay Prakash.

24) Mehndi hai (Zubeidaa) : The men leave and Shweta Pandit & Zeenia Roy perform decently.

25) Mangalyam (Alaipayuthey): Alphons & Vijay Prakash ! Why can't we hear more of these two! Malachi in a velvet suit, plays matchmaker to 2 dancers! Funny ! The male dancer resembled Madhavan according to the fat maami who sat behind me. *turn left, quickly turn right and repeat procedure as fast as you can*

26) Ringa Ringa (Slumdog Millionaire): Neeti Muhan & Shweta Pandit : The men were drooling all over the two pretty singers who did some booty shaking as well. These girls can sing, I tell you! Chitra & Sadhna Sargam will not be missed at all if these 2 are around. A big treat to the ears as well as the eyes!

27) Ik Onkaar (Rang De Basanti): Harshdeep Kaur in her Sufi ke Sultana garb hits all the right notes and marks the start to the religious turn the concert takes henceforth.

28) O paalanhare (Lagaan): Shweta Pandit & Zeenia Roy: Zeenia begins with an alaap and Shweta takes over. You just don't want her to stop. Divine.

29) Khwaja (Jodhaa Akbar): ARR, Alphons, Vijay Prakash: He starts by saying that this is one of his most special songs. It sounds just about right, yet a little hurried. And it was not followed by Arziyaan, maybe because Javed Ali wasn't there?

30) Ganesh (Bombay Dreams): Huge umbrellas covered in colorful LED lights held by dancers meander through the audience as this track from Bombay Dreams is played. Taken over for the "hoi hoi, la la" part by Benny & Vijay Prakash; it ends with Vijay Prakash screaming "Ganpathy bappa moriya!"

31) Dekho aayi holi (Mangal Pandey): The only thing I remember apart from the colorful dancers is Vijay Prakash! Don't ask me more, I beg of you! *drool*

32) Chaiyya chaiyya (Dil se): Harshdeep Kaur starts off and ARR comes on stage playing his guitar like keyboard(what is it called?) with Vijay Prakash & Alphons. And then before you know anything else, the crowd is off their seats and everyone is running towards the stage. The securities fail to control the crowd and everyone is gathered in front trying to be in the same frame as the maestro. And then you realize that ARR is not singing, its Vijay Prakash, and then you hear a voice in its highest pitch and some neck craning later you realize that its actually Alphons doing the high pitched "Chaiyya" notes. Sukhwinder, dude, you've got some major competition from namma pasanga!

33) Humma -Andha Arabic Kadaloram (Bombay): Blaaze and ARR stand atop the steps, arms on each others shoulders and they swish their hands in unison at the projector and the words HUMMA appear in graffiti style. What do you think would happen? The crowd that had just retreated to their seats is back to the front of the stage. The singers don't stop for a good 6.50 minutes, and the crowd begs them to go on further. ARR is all smiles and keeps continuing with his Humma's. But all good things must come to an end. And it did end and we were almost ready for the next one.

34) Jai ho (Slumdog Millionaire): All the singers unite to croon the title song of the world tour. Everything seems right. The world is a happy place !

35) Vande Mataram: The perfect culmination to every ARR Concert. Your faith is restored and you are left to search for something else to look forward to in your life. And with a very content and a heavy heart, I refused to budge until the curtains dropped and the couple behind me cleared their throats rather too loudly to get me to move.

I was surprised to not find Rahman behind the keyboard through the entire show. He was either singing, playing the piano or climbing up and down the stairs on stage. Oh yes, the stage despite being small, was utilized appropriately. Keith Peters had too small a role for the rockstar that he is. Overall, I did feel that the performances seemed a little rushed when they tried to be super efficient and churned out song after song without a gap at all. It was just too much to take in at one point of time. I wouldn't complain if I had two extra pairs of eyes and ears and an extra set of hands to record ! The dancers who were a motley mix did an excellent job and kept the spirits soaring. And there it all ended and I'm now left with amazing memories and hopes for another concert or the release of a new album by ARR! :D

PS: For the first time after coming to the United States, I'm seeing so many Indians in one place. For a moment I felt like I was in Ranganathan Street ! (Ranganathan Street is a road in Chennai where you will witness a population density that is higher than that of Mongolia!)

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11 Comments


Woww... My godd, i dont think u realize how lucky u r.. As compared to all us in india sitting at home and wondering how much we'r missing.. And as always.. Hats off to the big guy... !! brilliant selection.. Pity he didnt take Shreya for Mannipaya..

Anonymous says:

We went to the concert in our city yesterday and it was a treat to us poor deprived souls. It reinforced my belief that ARR is the greatest musician alive!


awesome review.... while reading your review, i felt like reliving the moments i had at Nassau Coliseum in NY... i would love to watch a 100 repeat videos of that Chaiyya Chaiiya performance n Lukka Chuppi... even without performing some of his recent best works, ARR proved why he is the king and it was again a testimony to his huge fan base..
i liked the rushed up performances, because it was unbelievable.. they were non stop.. the dancers, singers, ARR, the lights n stage setting.. it was all like a non stop rain with thunder n lightning...
only thing i would complain is i missed Sivamani, Stephen Devassy on the keys n Asad Khan on the sitar.. with some regular ARR singers like Chitra, Sadhna, Javed Ali n Naresh Iyer..


As in case of someone like ARR, speechless is what can be used so frequently that even "Speechless" can loose its effect. Same i feel about your write-up for recreating all the moments together and i need not wonder why you didn't forget anything(I hope so), as having attended one of his concerts i can still imagine him up on stage every time i close my eyes and think about him. This was indeed a candid piece and i guess you tried to put in every detail as much as possible(including glitches and fun and of course the soulful parts). Many "thanks" can't suffice for this write-up, but thats the best i can do here simultaneously being jealous of you to be able to refine your soul being a part of such Magic which must be beyond Space and Time. :)
PS: The instrument ARR used which you said looked like a keyboard, was actually a Keytar, the portable and funky fusion of Keyboard and Guitar :)


Good one ramya.. Can feel the excitement you had during the concert........

Hail Ra(h)m(ani)ya :)

Anonymous says:

what enthu! haha so sweet!

did you actually note down the songs and the sequences at the concert??


Very well written, makes me realize what I am missing out on staying downunder! You lucky lucky person. I wish A.R.Rahman sir came here too. Would go to every single concert if I could! Pray that e does come down to Australia again, if God Permits.

TAKE CARE!


Good for you. I am not even attending tho' he is coming to Tor.


Very good write up rams. Now if only ur answer papers were more like this :P :P

Seriously though! How do u remem so much of it :)

Anonymous says:

weep. your SECOND rahman concert and i'm still bumming around, waiting for my first!


I watched it in Wembley Arena London, the exact same songs in that order and boy was it amazing!!! When you watch the songs being played out you realize how difficult it is to put a piece like Mausam and Escape together so many musicians etc. in sync and more importantly it makes you wonder how can this be conjured up in someone's head, Rahman you are a genious, hats off !!!

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