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Ada Music - A Review

Posted by Ramya Shankar on Friday, May 23, 2008 in ,
A.R Rahman only puts his fans in a dilemma with this album. It is very hard to pinpoint one song as a favourite. With Jaane Tu Ya Jaane Na music also released simultaneously, I am in a state of utter confusion. Anyways, I love this album so much that I had to pen down what I thought of Ada's musical journey by ARR.

Ishq Ada hai - Rashid Ali
Rashid has a voice that could have the narcotic feeling on you. Especially the varying pitches at which he sings, leaves you in a phase where you don't want the song to end. Personally, I love the part where he sings - "..ishq gila hai, ishq sila hai, ishq ibaadat ka silsila hai" around 1.20. There's so much pain and power at the same time. And the careless guitar strumming throughout the song and in certain pauses is brilliant.

Hawa Sun Hawa - Sonu Nigam, Alka Yagnik
Alka Yagnik sounds a lot younger than her other recent songs. Whenever Sonu says "hawa", there is a hollowness to his voice that makes you feel like a gush of air just passed across you. Beautiful flute interludes. I've always felt Sonu's pronunciations are brilliant. A completely refreshing song.

Gumsum - Sonu Nigam, Alka Yagnik
What variations! Sonu Nigam is on a roll. Just listen to the way he opens the song. The notes are hit bang on target. It makes your neck go backward and forward. Very catchy beats. And the bass guitar (??) or the drums(??) at the end of song surprise you. Totally unexpected and it makes you want to pose like the guitarist of a rock band and strum the air.

Gulfisha - Sonu Nigam, Sunidhi Chauhan & Vivian Chaix
The song opens with Vivian's chanting of what sounds to me like Parseltongue. And Sunidhi is one person who can beautifully carry off a base voice as well as high notes. The way both Sonu & Sunidhi sing the word "Ada" is very flirtatious. Finally, there is an alaap done by Sunidhi which gradates to Vivian's chanting and closes on a very mysterious note.

Meherbaan - AR Rahman
Oh my god !! I'm stoned. This song gives you a sense of hope and the feeling of being loved by all. He surprises you with his pitch at the end of the song which is very unlike the soft start. I have a thing for ARR's way of singing words with the "Z" sound in them. The man and his magical strings. Could it get any better? From the be-swaadi ratiyan in Guru's Tere Bina to the be-zameen and be-aasman in meherban, you couldn't ask for more, trust me.

Tu mera hai - Chitra, Sukhwinder Singh, Naresh Iyer
This sounds very familiar. I really can't place it now. Chitra sounds very Bollywoodish, and her octaves for 'Ya Rab Shukriya' match Sukhwinder's right amount of power for a song of love. I had gooseflesh when I heard it for the first time. Naresh's interludes have a twinge of pain that makes you want to sympathize with him.

Hai Dard - Udit Narayan
This one is going to take me a while to like. A song of lament and when by Udit Narayan, you expect a twist in the movie when this comes about. It falls short when compared with the other songs in the album.

Ishq Ada hai (female) - Parul Mishra
Intoxicating. Parul's voice is so wholesome and round. Its like a very sharp knife slicing through butter. She's 20 years old but has an addictive sound quality about her voice. This is a little different from the male version in its organization and inducement of a classical touch. Her alaaps are brilliant. What pitching ! I hope ARR uses Parul more in songs to come.

Milo Wahan Wahan - Alka Yagnik, Jayachandran
Jayachandran is the link. The opening of this song is the BGM from Kannathil Muthamittal. These type of songs are Alka's forte in Bollywood. She comfortably carries the song, while I feel Jayachandran pronunciations sound a little enforced. But if you concentrate on his voice quality, that's not a problem at all. Is there a male chorus singing along with Jayachandran at the end ? It sounds as one voice actually.

Meherbaan (Instrumental)
I feel so happy just talking about this song. If ARR's voice is also to be slotted as instrumental, then this is rightly classified. Listen to the portion from 1.20 to 1.40 and the guitar transition from then onwards, his voice sounds nothing less than an instrument.
All of us have to be Meherbaan to ARR for giving us such a beautiful album. (Meherbaan means grateful)

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18 Comments


nice review.

i've been listening to Meherbaan non-stop for 2 days. very peaceful song


How the heart dances to the tunes of these lilting numbers! And how wonderfully captured in words :) Beautiful review!

My pick from the list, Ishq ada by Parul :)


un review Ada... appadinu poda vachathu :) Good one..

hey..i think this is the time to post a new one in ur other blog.........

WE want translation for Meherbaan song...........


A.R. Rahman's ADA is a highly experimental album - probably due to its age - 6 years...

This album would appeal only to two category of people - Rahman's die hard fans & serious music followers.

Others are strictly advised to avoid this album and better take shelter with your regular, comfortable music which you are used to :(

Only the ishq ada, gum sum jil mil track sounds decent and the rest are all sleepy, below average, lacklustre, experimental tunes in 1960-1980s mode !!!

This album would flop heavily and can find a place along with Lakeer, kabhi na kabhi, kadhal virus etc...


Hi Ramya.....ur review was really superb.

For your info and others, Rashid Ali is none other than ARR's Guitarist. He is a regular in all ARR's composition. He's a jazz musician.

He's also sung a song in "Parthaley Paravasam" - its 'Nathirthinna Nathirthinna un perai thodi suna'.

Sriram


once again great work for ARR. for those who dont have access-- its available @youtube.

also i recently heard ARR's album Chathurbhujam - Suprabhatham its awesome


latest updates:
current fave - Tu Mera Hai :)

Anonymous says:

perfect review... exactly wat i was thinkin bout the songs, n u put words to my thoughts :)


Good review liked it, Read mine here. Please comment...


Very good review..

>>There's so much pain and power at the same time.
ya.. even I could feel that!!! extremely impressive rendition by Rashid!

Parul's Ishq Ada is my second fav, next only to Meherbaan....


Brilliant review. Rasichu yezhurthikay I think. Made me find the songs and listen to them online.

But I have been wondering about the lower number of Tamil Albums composed by ARR in recent times compared to Hindi. Being a Rahmaniac I don't really care which language he composes for but somehow miss his Carnatic based songs in Tamil.


yo.. ARR freak! :P


i was jus surfing for some reviews on 'ada'. not that i doubted its merit. i jus wanted to know how it's being received by the young gangs around. there are some albums in the rehman oeuvre which calls for some time to sink down - and then, they sink down.. deep.. really down. i think we're hearing one such in 'ada'. i'm waiting till i get used to these compositions, and feel that they are part of me.
:) wishing nice hearing in your journey...

Anonymous says:

Your review did justice to this album...a fabolously written review indeed :)
choosing one fav song from ada was indeed like choosin one among the gems indeed...all the tracks are splendid..but like others, even i was completely mesmerized by Meherbaan. The track beginning with a piano piece takes you on a dreamy journey though all a beautiful world. Its also like meditation.


well said about Ishq ada hai, Parul's Version.. it just brings a nostalgic feeling as u listen to it..

I feel good about the fact that this is album is being recieved well.. I guess this album as well would fall into a kind which is being thoroughly enjoyed by ARR fans, but not a big hit commercially.. Zubeida 1947 the earth kinds.. ;-)


Hi Ramya!
I've been silently reading your blog for almost a year now - I admire your writing style and wish i was as eloquent!

You said that Tu Mera Hai sounded familiar, i thought so too . . . it reminds me of Khoyi Khoyi Aankhein from the movie Tehzeeb, although Tu Mera Hai has a very different mood.

Great Review!

Preeti


This comment has been removed by the author.

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